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Arrival at the Highly Contrasting Second Main Theme
Bela Drahos
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Jeremy Siepmann
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Nicolaus Esterhazy Sinfonia
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Crescendo Leads To Strings' Acceleration of the Pace with No Increase in Tempo
Bela Drahos
&
Jeremy Siepmann
&
Nicolaus Esterhazy Sinfonia
Classics Explained - An Introduction to Beethoven: Symphony No. 6, "Pastoral"
0—100 AIRPLAYS
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Strings Reiterate Small Fragment of the New Theme 13 Times in a Row
Bela Drahos
&
Jeremy Siepmann
&
Nicolaus Esterhazy Sinfonia
Classics Explained - An Introduction to Beethoven: Symphony No. 6, "Pastoral"
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Then Come Four, Almost Identical Bars
Bela Drahos
&
Jeremy Siepmann
&
Nicolaus Esterhazy Sinfonia
Classics Explained - An Introduction to Beethoven: Symphony No. 6, "Pastoral"
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The Development, Continued
Bela Drahos
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Jeremy Siepmann
&
Nicolaus Esterhazy Sinfonia
Classics Explained - An Introduction to Beethoven: Symphony No. 6, "Pastoral"
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Symphony No. 6 in F Major, Op. 68, "Pastoral": I. Awakening of Cheerful Feelings Upon Arrival in the Country - Allegro ma non troppo
Nicolaus Esterházy Sinfonia
Beethoven: Anthology Vol. 19
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Even Greater Magic, with Sudden Switch of Key and Tone Colour
Bela Drahos
&
Jeremy Siepmann
&
Nicolaus Esterhazy Sinfonia
Classics Explained - An Introduction to Beethoven: Symphony No. 6, "Pastoral"
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Beginning of Coda, Directly Based on Morse-Like Rhythm of the Main Theme
Bela Drahos
&
Jeremy Siepmann
&
Nicolaus Esterhazy Sinfonia
Classics Explained - An Introduction to Beethoven: Symphony No. 6, "Pastoral"
0—100 AIRPLAYS
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Symphony No. 6 in F Major, Op. 68 "Pastoral": I. Erwachen heiterer Empfindungen bei der Ankunft auf dem Lande
Slovak Radio Symphony Orchestra
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Michael Halász
The Essentials: Beethoven
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