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Back to the Prevailing Triple-Metre with Violins, Bassoons and Flutes
Bela Drahos
&
Jeremy Siepmann
&
Nicolaus Esterhazy Sinfonia
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in April, 2025
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The Transformational Magic of Beethoven's Tone-Painting - And a New Variation
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Theme Carried by Flutes and First Violins in a Charmingly Waltz-Like Development
Bela Drahos
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Jeremy Siepmann
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Harmonic Movement Emphasised By Violins; Oboe Takes Up the First Subject
Bela Drahos
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Jeremy Siepmann
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Nicolaus Esterhazy Sinfonia
Classics Explained - An Introduction to Beethoven: Symphony No. 6, "Pastoral"
0β100 AIRPLAYS
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...Which the Full Orchestra Now Takes Up in Varied Form
Bela Drahos
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Jeremy Siepmann
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Nicolaus Esterhazy Sinfonia
Classics Explained - An Introduction to Beethoven: Symphony No. 6, "Pastoral"
0β100 AIRPLAYS
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Tune Is Repeated Three Times
Bela Drahos
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Jeremy Siepmann
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Nicolaus Esterhazy Sinfonia
Classics Explained - An Introduction to Beethoven: Symphony No. 6, "Pastoral"
0β100 AIRPLAYS
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Conversation of Clarinet, Flute and Oboe on the Way to the Development
Bela Drahos
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Jeremy Siepmann
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Nicolaus Esterhazy Sinfonia
Classics Explained - An Introduction to Beethoven: Symphony No. 6, "Pastoral"
0β100 AIRPLAYS
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Arrival at the Second Group; But Where Is the Actual Second Subject?
Bela Drahos
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Jeremy Siepmann
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Nicolaus Esterhazy Sinfonia
Classics Explained - An Introduction to Beethoven: Symphony No. 6, "Pastoral"
0β100 AIRPLAYS
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A New Tune Is Introduced by the Bassoon
Bela Drahos
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Jeremy Siepmann
&
Nicolaus Esterhazy Sinfonia
Classics Explained - An Introduction to Beethoven: Symphony No. 6, "Pastoral"
0β100 AIRPLAYS
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The Run-Up to the Second Group
Bela Drahos
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Jeremy Siepmann
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Nicolaus Esterhazy Sinfonia
Classics Explained - An Introduction to Beethoven: Symphony No. 6, "Pastoral"
0β100 AIRPLAYS
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Gains in Volume and Intensity Lead to a New Key-Change
Bela Drahos
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