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Crescendo Leads To Strings' Acceleration of the Pace with No Increase in Tempo
Bela Drahos
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Jeremy Siepmann
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Nicolaus Esterhazy Sinfonia
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Taylor Swift
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Arrival at the Highly Contrasting Second Main Theme
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Classics Explained - An Introduction to Beethoven: Symphony No. 6, "Pastoral"
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Rhythmic Clash Between Simultaneous Groups of Three Beats and Groups of Two
Bela Drahos
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Jeremy Siepmann
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Nicolaus Esterhazy Sinfonia
Classics Explained - An Introduction to Beethoven: Symphony No. 6, "Pastoral"
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Symphony No. 6 in F Major, Op. 68, "Pastoral": I. Awakening of Cheerful Feelings Upon Arrival in the Country - Allegro ma non troppo
Nicolaus Esterházy Sinfonia
Beethoven: Anthology Vol. 19
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Beginning of Coda, Directly Based on Morse-Like Rhythm of the Main Theme
Bela Drahos
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Jeremy Siepmann
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Nicolaus Esterhazy Sinfonia
Classics Explained - An Introduction to Beethoven: Symphony No. 6, "Pastoral"
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The Opening Phrase Ends on a Note Full of Pregnant Expectation
Bela Drahos
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Jeremy Siepmann
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Nicolaus Esterhazy Sinfonia
Classics Explained - An Introduction to Beethoven: Symphony No. 6, "Pastoral"
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Carmen, Suite No.2 : VIII. Habanera
Alexander Titov
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Saint Petersburg Orchestra of the State Hermitage Museum Camerata
Carmen, Suite Nos. 1, 2; L'Arlésienne, Suite Nos. 1, 2
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