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Gains in Volume and Intensity Lead to a New Key-Change
Bela Drahos
&
Jeremy Siepmann
&
Nicolaus Esterhazy Sinfonia
Total Airplays: 0β100
in April, 2025
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Lady Gaga
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Just When We Know What's Coming, Beethoven Changes the Rules (Or At Least the Harmony)
Bela Drahos
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Jeremy Siepmann
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Nicolaus Esterhazy Sinfonia
Classics Explained - An Introduction to Beethoven: Symphony No. 6, "Pastoral"
0β100 AIRPLAYS
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Flute and Oboe Discuss the First Subject, Before Arriving Together at the Transistion
Bela Drahos
&
Jeremy Siepmann
&
Nicolaus Esterhazy Sinfonia
Classics Explained - An Introduction to Beethoven: Symphony No. 6, "Pastoral"
0β100 AIRPLAYS
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Harmonic Movement Emphasised By Violins; Oboe Takes Up the First Subject
Bela Drahos
&
Jeremy Siepmann
&
Nicolaus Esterhazy Sinfonia
Classics Explained - An Introduction to Beethoven: Symphony No. 6, "Pastoral"
0β100 AIRPLAYS
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More Thematic Transformation Through the Agency of Tone-Colour
Bela Drahos
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Jeremy Siepmann
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Nicolaus Esterhazy Sinfonia
Classics Explained - An Introduction to Beethoven: Symphony No. 6, "Pastoral"
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In My Room
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Transformation by Reorchestration; Switch to Long Sustained Chords; Then Everything Stops
Bela Drahos
&
Jeremy Siepmann
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Nicolaus Esterhazy Sinfonia
Classics Explained - An Introduction to Beethoven: Symphony No. 6, "Pastoral"
0β100 AIRPLAYS
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The Transformational Magic of Beethoven's Tone-Painting - And a New Variation
Bela Drahos
&
Jeremy Siepmann
&
Nicolaus Esterhazy Sinfonia
Classics Explained - An Introduction to Beethoven: Symphony No. 6, "Pastoral"
0β100 AIRPLAYS
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Piano Concerto No. 5 in E-Flat Major, Op. 73 "Emperor" : Beethoven: Piano Concerto No. 5 in E-Flat Major, Op. 73 "Emperor" - II. Adagio un poco mosso
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Back to the Prevailing Triple-Metre with Violins, Bassoons and Flutes
Bela Drahos
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Nicolaus Esterhazy Sinfonia
Classics Explained - An Introduction to Beethoven: Symphony No. 6, "Pastoral"
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Beethoven: Quintet for Piano and Winds in E-Flat Major, Op. 16: I. Grave - Allegro ma non troppo
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