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The Cor Anglais Is Joined By the Clarinet, Creating a Fascinating Change In the Timbre.
Jeremy Siepmann
Total Airplays: 0—100
in August, 2024
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Sabrina Carpenter
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Dvorak Flouts Tradition By Setting the Secondary Theme and the Closing Theme In Unexpected Keys.
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For the Closing Part of the Tune, There Is Another New Sonority: Cor Anglais Plus Bassoon.
Jeremy Siepmann
Classics Explained: DVORAK - Symphony No. 9, 'From the New World'
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A Change of Scoring: The Slow Opening Chords Return, This Time Played By the Winds Alone.
Jeremy Siepmann
Classics Explained: DVORAK - Symphony No. 9, 'From the New World'
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The Role of Instrumentation In Setting the Scene...
Jeremy Siepmann
Classics Explained: DVORAK - Symphony No. 9, 'From the New World'
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The Closing Bar Is Repeated By Clarinets and Bassoons, the Horn Adding a New Touch
Jeremy Siepmann
Classics Explained: DVORAK - Symphony No. 9, 'From the New World'
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After That Major Climax, We Arrive At the Threshold of the Recapitulation
Jeremy Siepmann
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