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The 'obsession' Takes Root, With a Ten-fold Repetition, Before the Arrival of the Second Subject.
Jeremy Siepmann
Total Airplays: 0—100
in November, 2024
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Bruno Mars
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The Main Theme, Part Two. a Codetta-like Passage Closes Off the March
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The Mice Return to the Basement, Where the Bassoons Have Joined the Cellos and Double-basses.
Jeremy Siepmann
Classics Explained: DVORAK - Symphony No. 9, 'From the New World'
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We Meet the Mice Again, Now In the Cellos and Double-basses, Where They Persistently Refuse to Run.
Jeremy Siepmann
Classics Explained: DVORAK - Symphony No. 9, 'From the New World'
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More 'Three Blind Mice' Material
Jeremy Siepmann
Classics Explained: DVORAK - Symphony No. 9, 'From the New World'
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Like the First Movement, the Fourth Begins Not With Its Main Theme But With an Introduction.
Jeremy Siepmann
Classics Explained: DVORAK - Symphony No. 9, 'From the New World'
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Relief, At Last: The Mice Back Off, Making Way for a Remainder of the Main Theme from the Trumpets.
Jeremy Siepmann
Classics Explained: DVORAK - Symphony No. 9, 'From the New World'
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Perhaps This Is It? Back for a Reminder of the Theme Proper, As We First Heard It
Jeremy Siepmann
Classics Explained: DVORAK - Symphony No. 9, 'From the New World'
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The Great Grandfather
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Go Bo Diddley
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Ambient Floating Space
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ドヴォルザーク: 交響曲第9番「新世界より」 - 第4楽章
スロヴァキア・フィルハーモニー管弦楽団
メモリアル・クラシックス 2008
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