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Ilse Eerens
25 tracks
Total Airplays: 0—100
in July, 2026
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Bruno Mars
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Taylor Swift
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Stabat Mater, Op. 58: VIII. Fac, ut portem Christi mortem (Larghetto)
Philippe Herreweghe
Ilse Eerens
Royal Flemish Philharmonic
Maximilian Schmitt
Dvořák: Stabat Mater
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Stabat Mater, Op. 58: I. Stabat Mater dolorosa (Quartet, Chorus), andante con moto
Chorus
Collegium Vocale Gent
Philippe Herreweghe
Quartet
Florian Boesch
Ilse Eerens
Royal Flemish Philharmonic
Maximilian Schmitt
Michaela Selinger
Dvořák: Stabat Mater
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Stabat Mater, Op. 58: VIII. Fac, ut portem Christi mortem (Duet), larghetto
Philippe Herreweghe
Ilse Eerens
Royal Flemish Philharmonic
Maximilian Schmitt
Dvořák: Stabat Mater
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Stabat Mater, Op. 58: II. Quis est homo, qui non fleret (Andante sostenuto)
Philippe Herreweghe
Florian Boesch
Ilse Eerens
Royal Flemish Philharmonic
Maximilian Schmitt
Michaela Selinger
Dvořák: Stabat Mater
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Kommt, eilet und laufet, BWV 249, "Easter Oratorio": Recitative: Wir sind erfreut (Bass)
David Wilson-Johnson
Orchestra of the 18th Century
Frans BrĂĽggen
Michael Chance
Markus Schäfer
Cappella Amsterdam
Ilse Eerens
Bach: Easter Oratorio
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Requiem, Op. 89: I. Introitus (Requiem æternam - Kyrie eleison)
Bernarda Fink
Collegium Vocale Gent
Philippe Herreweghe
Nathan Berg
Ilse Eerens
Royal Flemish Philharmonic
Maximilian Schmitt
Philippe Herreweghe: A Conversation with Camille De Rijck
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Kommt, eilet und laufet (Chorus)
David Wilson-Johnson
Orchestra of the 18th Century
Frans BrĂĽggen
Michael Chance
Markus Schäfer
Cappella Amsterdam
Ilse Eerens
Bach: Easter Oratorio
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Kommt, eilet und laufet, BWV 249, "Easter Oratorio": Preis und Dank (Chorus)
David Wilson-Johnson
Orchestra of the 18th Century
Frans BrĂĽggen
Michael Chance
Markus Schäfer
Cappella Amsterdam
Ilse Eerens
Bach: Easter Oratorio
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FrĂĽhlingsmorgen
Richard Leander
Inge Spinette
Ilse Eerens
Lenzzauber
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Requiem, Op. 89: X. Offertorium (Hostias)
Bernarda Fink
Collegium Vocale Gent
Philippe Herreweghe
Nathan Berg
Ilse Eerens
Royal Flemish Philharmonic
Maximilian Schmitt
Philippe Herreweghe: A Conversation with Camille De Rijck
0—100 AIRPLAYS
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