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Brandenburg Concerto No. 4 in G - First Movement: Episode 2 continued, with more bravura dazzle from the solo violin
Jeremy Siepmann
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Brandenburg Concerto No. 4 in G - First Movement: Episode 2, Part 1, preceded by the 'fanfare' motif from which its first theme derives
Jeremy Siepmann
Classics Explained: Bach, J.S. - Brandenburg Concertos Nos 4 & 5 (Siepmann)
0β100 AIRPLAYS
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Brandenburg Concerto No. 4 in G - First Movement: Episode 3 proves retrospective, featuring transposed repeats of earlier material
Jeremy Siepmann
Classics Explained: Bach, J.S. - Brandenburg Concertos Nos 4 & 5 (Siepmann)
0β100 AIRPLAYS
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Brandenburg Concerto No. 4 in G - First Movement: Ritornello 4, not altogether what it might seem; solo violin takes 'motto' motif
Jeremy Siepmann
Classics Explained: Bach, J.S. - Brandenburg Concertos Nos 4 & 5 (Siepmann)
0β100 AIRPLAYS
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Brandenburg Concerto No. 4 in G - First Movement: Ritornello 3, with the prominent participation of the soloists
Jeremy Siepmann
Classics Explained: Bach, J.S. - Brandenburg Concertos Nos 4 & 5 (Siepmann)
0β100 AIRPLAYS
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Brandenburg Concerto No. 4 in G - First Movement: Ritornello 2, A varied repeat of Ritornello 1, arrives after much harmonic movement
Jeremy Siepmann
Classics Explained: Bach, J.S. - Brandenburg Concertos Nos 4 & 5 (Siepmann)
0β100 AIRPLAYS
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Brandenburg Concerto No. 4 in G - First Movement: Episode 4 continued, with emphasis placed on conversational interchanges
Jeremy Siepmann
Classics Explained: Bach, J.S. - Brandenburg Concertos Nos 4 & 5 (Siepmann)
0β100 AIRPLAYS
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Brandenburg Concerto No. 4 in G - First Movement: Episode 4. Cue to Part 1, focusing on 'soloistic' counterpoint provided by the continuo
Jeremy Siepmann
Classics Explained: Bach, J.S. - Brandenburg Concertos Nos 4 & 5 (Siepmann)
0β100 AIRPLAYS
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Brandenburg Concerto No. 4 in G - First Movement: Motif No. 3 returns, courtesy of the recorders, recently sidelined by the violin
Jeremy Siepmann
Classics Explained: Bach, J.S. - Brandenburg Concertos Nos 4 & 5 (Siepmann)
0β100 AIRPLAYS
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