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Brandenburg Concerto No. 4 in G - First Movement: Ritornello 4, not altogether what it might seem; solo violin takes 'motto' motif
Jeremy Siepmann
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Brandenburg Concerto No. 4 in G - First Movement: Episode 4. Cue to Part 1, focusing on 'soloistic' counterpoint provided by the continuo
Jeremy Siepmann
Classics Explained: Bach, J.S. - Brandenburg Concertos Nos 4 & 5 (Siepmann)
0β100 AIRPLAYS
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Brandenburg Concerto No. 4 in G - First Movement: Episode 4 continued, with emphasis placed on conversational interchanges
Jeremy Siepmann
Classics Explained: Bach, J.S. - Brandenburg Concertos Nos 4 & 5 (Siepmann)
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Brandenburg Concerto No. 4 in G - First Movement: Ritornello 3, with the prominent participation of the soloists
Jeremy Siepmann
Classics Explained: Bach, J.S. - Brandenburg Concertos Nos 4 & 5 (Siepmann)
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Brandenburg Concerto No. 4 in G - First Movement: Repeat of section for purposes of hearing the harmonic movement
Jeremy Siepmann
Classics Explained: Bach, J.S. - Brandenburg Concertos Nos 4 & 5 (Siepmann)
0β100 AIRPLAYS
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Brandenburg Concerto No. 4 in G - Third Movement: Finishing Solo Exposition 3: orchestral cellos introduce what sounds
Jeremy Siepmann
Classics Explained: Bach, J.S. - Brandenburg Concertos Nos 4 & 5 (Siepmann)
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Brandenburg Concerto No. 4 in G - First Movement: Ritornello 5 continued, with emphasis on the determined banishment of B minor
Jeremy Siepmann
Classics Explained: Bach, J.S. - Brandenburg Concertos Nos 4 & 5 (Siepmann)
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Concerto for 2 Lire Organizzate In G Major, Hob.VIIh:3: II. Romance - Allegretto
Benoit Fromanger
&
Ingo Nelken
Haydn: Concertos for 2 Lire Organizzate, Hob.VIIh:1-5
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Brandenburg Concerto No. 4 in G - First Movement: Episode 1 begins with virtuoso entry of the solo violin, made up of alternating arpeggios
Jeremy Siepmann
Classics Explained: Bach, J.S. - Brandenburg Concertos Nos 4 & 5 (Siepmann)
0β100 AIRPLAYS
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