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It Is the Second Half of the Theme That Dominates.
Jeremy Siepmann
Total Airplays: 0β100
in August, 2024
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Sabrina Carpenter
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Soon, After a Very Rapid Build, the Scherzo Proper Does Reach Its Final Phase.
Jeremy Siepmann
Classics Explained: DVORAK - Symphony No. 9, 'From the New World'
0β100 AIRPLAYS
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Then It Is All a Matter of Repeats, Until We Reach the Coda, Which Ends With an Explosive Bang.
Jeremy Siepmann
Classics Explained: DVORAK - Symphony No. 9, 'From the New World'
0β100 AIRPLAYS
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Third Movement (Complete)
Jeremy Siepmann
Classics Explained: DVORAK - Symphony No. 9, 'From the New World'
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The Flutes and Oboes Now Chime In With an Answering Variant of the Opening...
Jeremy Siepmann
Classics Explained: DVORAK - Symphony No. 9, 'From the New World'
0β100 AIRPLAYS
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The Main Theme of the Trio Returns Against a Much Fuller Orchestral Background.
Jeremy Siepmann
Classics Explained: DVORAK - Symphony No. 9, 'From the New World'
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Using a Little Fanfare, Dvorak Further Builds Up Expectation Before Revealing the Main Theme.
Jeremy Siepmann
Classics Explained: DVORAK - Symphony No. 9, 'From the New World'
0β100 AIRPLAYS
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The Trio Section Is Reminiscent More of the 'Old World' Than the 'New'.
Jeremy Siepmann
Classics Explained: DVORAK - Symphony No. 9, 'From the New World'
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In the Second Half of the Trio, a New Tune Emerges, a Kind of Slavonic Waltz.
Jeremy Siepmann
Classics Explained: DVORAK - Symphony No. 9, 'From the New World'
0β100 AIRPLAYS
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La Traviata : Overture
Tbilisi Symphony Orchestra
The Opera & Ballet Vol. 1: Overtures: Italian Overtures and Ballets
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