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Then It Is All a Matter of Repeats, Until We Reach the Coda, Which Ends With an Explosive Bang.
Jeremy Siepmann
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A Clearly Transitional Passage, Obsessed With the Rhythmic Tag That Both Opens and Closes the Theme
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The 'obsession' Takes Root, With a Ten-fold Repetition, Before the Arrival of the Second Subject.
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The Main Theme, Part Two. a Codetta-like Passage Closes Off the March
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Soon, After a Very Rapid Build, the Scherzo Proper Does Reach Its Final Phase.
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Without Ever Being Remotely 'academic' or 'intellectual', There Is Much Counterpoint Going On Here.
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