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The Changes In Scoring Are Just Beginning.
Jeremy Siepmann
Total Airplays: 0β100
in August, 2025
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Digital Radio
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Free FM Classical
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Metro Virtuoso
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RMF CLASSIC CZAS SKUPIENIA
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0β100
WOSU Classical 101
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Spain
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Sabrina Carpenter
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Alex Warren
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Justin Bieber
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The Flutes and Oboes Introduce a New Tune, Over Hushed Tremolo Strings.
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Classics Explained: DVORAK - Symphony No. 9, 'From the New World'
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A Change of Scoring: The Slow Opening Chords Return, This Time Played By the Winds Alone.
Jeremy Siepmann
Classics Explained: DVORAK - Symphony No. 9, 'From the New World'
0β100 AIRPLAYS
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A Memorable Combination of Continuous, Asymmetrical Melody With Steady, March-like Counterpoint.
Jeremy Siepmann
Classics Explained: DVORAK - Symphony No. 9, 'From the New World'
0β100 AIRPLAYS
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For the Closing Part of the Tune, There Is Another New Sonority: Cor Anglais Plus Bassoon.
Jeremy Siepmann
Classics Explained: DVORAK - Symphony No. 9, 'From the New World'
0β100 AIRPLAYS
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The Closing Bar Is Repeated By Clarinets and Bassoons, the Horn Adding a New Touch
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Classics Explained: DVORAK - Symphony No. 9, 'From the New World'
0β100 AIRPLAYS
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A FrequΓͺncia do Amor RomΓ’ntico
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Puccini: Turandot (Introduction - Signore, ascolta - Non piangere, Liu - In questa reggia - Nessun dorma)
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Symphony No. 9 in E Minor, Op. 95: From the New World
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Back In That Woodland Glade, the Light and Shadows Have Changed, Revealing New Shapes and Patterns.
Jeremy Siepmann
Classics Explained: DVORAK - Symphony No. 9, 'From the New World'
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I (Facing The Southern Sunset Lights)
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