Jeremy Siepmann: The Changes In Scoring Are Just Beginning. Airplay Stats 📻🛠️

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A Change of Scoring: The Slow Opening Chords Return, This Time Played By the Winds Alone.

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Classics Explained: DVORAK - Symphony No. 9, 'From the New World'

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The Flutes and Oboes Introduce a New Tune, Over Hushed Tremolo Strings.

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Classics Explained: DVORAK - Symphony No. 9, 'From the New World'

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A Memorable Combination of Continuous, Asymmetrical Melody With Steady, March-like Counterpoint.

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Classics Explained: DVORAK - Symphony No. 9, 'From the New World'

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For the Closing Part of the Tune, There Is Another New Sonority: Cor Anglais Plus Bassoon.

Jeremy Siepmann

Classics Explained: DVORAK - Symphony No. 9, 'From the New World'

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Symphony No. 9 in E Minor, Op. 95, B. 178, "From the New World": II. Largo

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Dvořák: Symphony No. 9 & Symphonic Variations

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Release

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Ordained Strength

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Back In That Woodland Glade, the Light and Shadows Have Changed, Revealing New Shapes and Patterns.

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Classics Explained: DVORAK - Symphony No. 9, 'From the New World'

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Arrielle (Remastered)

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Frequencies (Remastered)

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Hungarian Sketches, Sz. 97

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Kodaly: Háry János Suite; Dances of Galanta / Bartok: Hungarian Sketches; Roumanian Folk Dances

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Appalachian Spring: Variations on a Shaker Melody

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American Adagios

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