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The Flutes and Oboes Introduce a New Tune, Over Hushed Tremolo Strings.
Jeremy Siepmann
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in September, 2026
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A Memorable Combination of Continuous, Asymmetrical Melody With Steady, March-like Counterpoint.
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Back In That Woodland Glade, the Light and Shadows Have Changed, Revealing New Shapes and Patterns.
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A Change of Scoring: The Slow Opening Chords Return, This Time Played By the Winds Alone.
Jeremy Siepmann
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The Next Section Is New and Forward-looking, Yet Also a Kind of Dream-recollection of a Past Scene.
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The Closing Bar Is Repeated By Clarinets and Bassoons, the Horn Adding a New Touch
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Symphony No.9 In E Minor, Op.95 - II. Largo
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For the Closing Part of the Tune, There Is Another New Sonority: Cor Anglais Plus Bassoon.
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