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The Flutes and Oboes Introduce a New Tune, Over Hushed Tremolo Strings.
Jeremy Siepmann
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in August, 2026
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A Memorable Combination of Continuous, Asymmetrical Melody With Steady, March-like Counterpoint.
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Classics Explained: DVORAK - Symphony No. 9, 'From the New World'
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The Changes In Scoring Are Just Beginning.
Jeremy Siepmann
Classics Explained: DVORAK - Symphony No. 9, 'From the New World'
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Back In That Woodland Glade, the Light and Shadows Have Changed, Revealing New Shapes and Patterns.
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I. Maestoso
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A Change of Scoring: The Slow Opening Chords Return, This Time Played By the Winds Alone.
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Strauss, R: Daphne, Op. 82: Daphnes Verwandlung. "Ich komme! Ich komme, grĂĽnende BrĂĽder" (Daphne)
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Ein Heldenleben, Op. 40, TrV 190: Des Helden Gefährtin
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The Closing Bar Is Repeated By Clarinets and Bassoons, the Horn Adding a New Touch
Jeremy Siepmann
Classics Explained: DVORAK - Symphony No. 9, 'From the New World'
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The Next Section Is New and Forward-looking, Yet Also a Kind of Dream-recollection of a Past Scene.
Jeremy Siepmann
Classics Explained: DVORAK - Symphony No. 9, 'From the New World'
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The Emerging Sculpture of Inner Transformation
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