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The Flutes and Oboes Introduce a New Tune, Over Hushed Tremolo Strings.
Jeremy Siepmann
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A Memorable Combination of Continuous, Asymmetrical Melody With Steady, March-like Counterpoint.
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The Changes In Scoring Are Just Beginning.
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Classics Explained: DVORAK - Symphony No. 9, 'From the New World'
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Back In That Woodland Glade, the Light and Shadows Have Changed, Revealing New Shapes and Patterns.
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A Change of Scoring: The Slow Opening Chords Return, This Time Played By the Winds Alone.
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The Next Section Is New and Forward-looking, Yet Also a Kind of Dream-recollection of a Past Scene.
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For the Closing Part of the Tune, There Is Another New Sonority: Cor Anglais Plus Bassoon.
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