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The Main Theme, Part Two. a Codetta-like Passage Closes Off the March
Jeremy Siepmann
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in July, 2026
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The 'transitional' Theme, While Outwardly Contrasting, Is Actually a Hidden Variant of the March.
Jeremy Siepmann
Classics Explained: DVORAK - Symphony No. 9, 'From the New World'
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The 'obsession' Takes Root, With a Ten-fold Repetition, Before the Arrival of the Second Subject.
Jeremy Siepmann
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ドヴォルザーク: 交響曲第9番「新世界より」 - 第4楽章
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ドヴォルザーク: 交響曲第9番 ホ短調 Op.95 「新世界より」 - 第4楽章
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The Mice Return to the Basement, Where the Bassoons Have Joined the Cellos and Double-basses.
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Classics Explained: DVORAK - Symphony No. 9, 'From the New World'
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The Second Half of This 'transitional' Theme Is Given to the Winds the Strings Have Finished.
Jeremy Siepmann
Classics Explained: DVORAK - Symphony No. 9, 'From the New World'
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Then It Is All a Matter of Repeats, Until We Reach the Coda, Which Ends With an Explosive Bang.
Jeremy Siepmann
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