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We Meet the Mice Again, Now In the Cellos and Double-basses, Where They Persistently Refuse to Run.
Jeremy Siepmann
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in August, 2026
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The Mice Return to the Basement, Where the Bassoons Have Joined the Cellos and Double-basses.
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The 'obsession' Takes Root, With a Ten-fold Repetition, Before the Arrival of the Second Subject.
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The Main Theme, Part Two. a Codetta-like Passage Closes Off the March
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Relief, At Last: The Mice Back Off, Making Way for a Remainder of the Main Theme from the Trumpets.
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Now They Return to the High Winds, Delicately Trilling.
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The Second Half of This 'transitional' Theme Is Given to the Winds the Strings Have Finished.
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Like the First Movement, the Fourth Begins Not With Its Main Theme But With an Introduction.
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