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We Meet the Mice Again, Now In the Cellos and Double-basses, Where They Persistently Refuse to Run.
Jeremy Siepmann
Total Airplays: 0—100
in October, 2024
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The 'obsession' Takes Root, With a Ten-fold Repetition, Before the Arrival of the Second Subject.
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Classics Explained: DVORAK - Symphony No. 9, 'From the New World'
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More 'Three Blind Mice' Material
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Classics Explained: DVORAK - Symphony No. 9, 'From the New World'
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Danserye - Pavanen: No. 39. Mille regretz (Arr. for Baroque Ensemble by Christoph Lehmann)
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Now They Return to the High Winds, Delicately Trilling.
Jeremy Siepmann
Classics Explained: DVORAK - Symphony No. 9, 'From the New World'
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Relief, At Last: The Mice Back Off, Making Way for a Remainder of the Main Theme from the Trumpets.
Jeremy Siepmann
Classics Explained: DVORAK - Symphony No. 9, 'From the New World'
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The Mice Return to the Basement, Where the Bassoons Have Joined the Cellos and Double-basses.
Jeremy Siepmann
Classics Explained: DVORAK - Symphony No. 9, 'From the New World'
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ドヴォルザーク: 交響曲第9番「新世界より」 - 第4楽章[ハイライト] [しし座version]
スティーヴン・ガンゼンハウザー
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12星座のラッキークラシック! [星座別オススメクラシック by クラシック付き年賀状]
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Fourth Movement (Complete)
Jeremy Siepmann
Classics Explained: DVORAK - Symphony No. 9, 'From the New World'
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The Triplets of the 'transitional' Theme Are Now Handed Down Through Strings
Jeremy Siepmann
Classics Explained: DVORAK - Symphony No. 9, 'From the New World'
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