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Max Proebstl
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in September, 2025
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Der Freischutz, J. 277: Act II: Arietta: Kommt Ein Schlanker Bursch Gegangen (Aennchen)
Erich Kleiber &  Cologne Radio Chorus &  Rita Streich &  Cologne Radio Symphony Orchestra &  Max Proebstl &  Alfred Poell &  Kurt Böhme &  Hans Hopf &  Kurt Marschner &  Elisabeth Grummer &  Heiner Horn &  Richard MĂĽnch 
Weber, C.M. Von: Freischutz (Der) [Opera] (1955)
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Der Freischutz, J. 277: Act II: Agathe! (Max, Agathe, Annchen)
Erich Kleiber &  Max &  Cologne Radio Chorus &  Rita Streich &  Cologne Radio Symphony Orchestra &  Max Proebstl &  Alfred Poell &  Kurt Böhme &  Hans Hopf &  Kurt Marschner &  Agathe &  Elisabeth Grummer &  Heiner Horn &  Richard MĂĽnch 
Weber, C.M. Von: Freischutz (Der) [Opera] (1955)
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Matthaeuspassion, BWV 244 - St. Matthew Passion, BWV 244. Erster Teil - Part 1: Arie - aria : Gerne will ich mich bequemen
MĂĽnchener Bach-Orchester &  Max Proebstl &  Muenchener Bach-Chor 
Matthäuspassion, BWV 244
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St. Matthew Passion, BWV 244: No. 33, Evangelist, Pontifex, Testis I/II: "Und wiewohl viel falsche Zeugen herzutraten"
Karl Richter  Ernst Haefliger  Munich Chorknaben  Munich Bach Orchestra  Munich Bach Chorus &  Max Proebstl 
Bach: Sacred Masterpieces
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St. Matthew Passion, BWV 244: Part II: Aria: Gebt mir meinen Jesum wieder (Bass)
Dietrich Fischer-Dieskau &  Kieth Engen  MĂĽnchener Bach-Orchester  Hertha Töpper  Ernst Haefliger  Irmgard Seefried  Max Proebstl  Antonia Fahberg  Munich Bach Choir &  Munich Boys Choir 
Bach: St. Matthew Passion
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